Prunella Scales: Beginning with the Iconic Fawlty Towers to Great Canal Journeys
The celebrated actress Prunella Scales, who passed away at the age of 93, was regarded as among Britain's most brilliant comedic performers.
Although a long and distinguished professional journey across theater and film, she will inevitably be remembered as Sybil Fawlty in the classic 1970s television series, the beloved Fawlty Towers.
It was Sybil's mission throughout her existence to closely monitor her "stick insect" husband Basil - portrayed by comedian John Cleese - amid cigarette-fuelled phone conversations with her friend, Audrey.
She was tasked to placate guests who had been yelled at, totally ignored or, occasionally, throttled by Basil when during his particularly frenzied episodes.
Her unforgettable cackle, gravity-defying hairdo and ferocious temper were part of a carefully constructed character that stands as a comic masterpiece.
Although numerous performers would have removed themselves from too close an association with a single role, Scales consistently voiced her pleasure in participating of the Fawlty Towers phenomenon.
Formative Years and Professional Start
Prunella Margaret Rumney Illingworth came into the world near Guildford on June 22nd, 1932.
She belonged to a household deeply in love with theatrical arts - with her mother, Catherine Scales, a former actor who'd abandoned her career for family life.
Intelligent and studious, after wartime evacuation to the Lake District, Prunella studied at Moira House Girls School in Eastbourne.
In 1949, she earned a scholarship to the prestigious Old Vic drama school and - after two years - obtained a role as a stage management assistant.
This was to the fury of her former headmistress in her hometown, who had wished she would seek admission to Cambridge and wrote to the theatre to tell them so.
During her theatrical training, Scales was perceived as a developing character performer instead of a natural Juliet candidate.
"We all wanted to look like Audrey Hepburn," she subsequently informed her biographer, "however I lacked conventional beauty and attracted no admirers."
Young Prunella concealed her middle-class roots, conscious that producers started seeking a new kind of earthy credibility in their actors.
But she started picking up small roles in theatrical productions, and, while rehearsing for a role at the Connaught Theatre in Worthing, she encountered Andrew Sachs, who would later star as Manuel, the Spanish waiter, in Fawlty Towers.
Her initial television exposure occurred in 1952, as Lydia Bennet in a BBC production of Pride and Prejudice, which featured Peter Cushing - more famous for his roles in horror movies - as Mr. Darcy.
Her initial film appearances followed the next year - in romantic comedy, Laxdale Hall, and David Lean's Hobson's Choice, alongside Charles Laughton.
During the latter 1950s and early 1960s, she was rarely out of work - appearing on stage, film and television, featuring a brief stint as a bus conductor, character Eileen Hughes, in the popular soap Coronation Street.
She also met fellow actor Timothy West.
Following what she characterized as "a gentle courtship involving crosswords and candies", they got together, and married in 1963.
Breakthrough and Iconic Roles
Her big TV break came with Marriage Lines, a BBC sitcom about recentlyweds, George and Kate Starling.
Scales performed alongside Richard Briers, then one of the biggest stars in TV humor. The program achieved great success and continued for five seasons.
Subsequently arrived Fawlty Towers, which elevated her to cultural icon.
John Cleese and his then wife, Connie Booth, had submitted the first script of their comedy creation to the broadcasting corporation.
Performer Bridget Turner had been considered for Sybil Fawlty but she declined the part and Scales tried out for the character.
She later remembered that Cleese was a hard taskmaster.
"John, appropriately, demanded strict script adherence, and failure to comply would understandably provoke his irritation."
Only 12 episodes were ever made.
The initial season, which aired in 1975, failed to win huge audiences but, as it continued, its comedic combination of absurd pratfalls and awkward circumstances grew in popularity.
Scales carefully considered about portraying Sybil Fawlty, and determined that her character's upbringing had to be below her husband Basil's.
Initially, John Cleese and his wife had doubts regarding this approach.
"Once they heard the first reading in rehearsal," recalled Scales, "they embraced the concept completely."
Later in her career, she frequently found herself, requested to portray stern matriarchs when she desired elegant characters.
But when asked about her career pinnacle, Scales immediately identified in picking Sybil Fawlty.
"It was a tough job," she insisted, "yet I remain proud of my work." She even thought it helped get audience members into performance venues.
"I like to think that if the public have seen you in one thing they'll come and see you in another," she said.
Subsequent Work and Private World
Following Fawlty Towers, Scales continued to work in television, including an engagement as character Elizabeth Mapp in ITV's Mapp and Lucia.
Her vocal talents were frequently featured on audio broadcasts, notably the comedy program After Henry, which later transitioned to TV, and the series Ladies of Letters, with Patricia Routledge, which became an intrinsic part of the program Woman's Hour.
Scales appeared in at two major royal roles; as Queen Elizabeth II in the BBC production of Alan Bennett's work, and as the monarch Queen Victoria in a one-woman show that she performed 400 times.
She once received a letter from a royal protection officer who confessed that when Scales came on stage, he rose to his feet.
"The response was automatic," she explained. "I was thrilled."
During 1995, she started appearing as character Dotty Turnbull in a series of TV adverts for supermarket giant Tesco - which compensated her partially with shopping credits.
The advertising series, which ran for nine years, was cited as the biggest factor in establishing its dominant market position in the mid-nineties.
Scales later came in for moderate critique for participating in the commercial campaign, when she backed a campaign to prevent neighborhood store closures in her area of London.
Among her most accomplished roles came in the production Breaking the Code, the movie concerning World War II cryptanalysts.
She appears as Alan Turing's mother, who embodies a society that criminalized same-sex relationships, an attitude that eventually led to his death.
Beyond performance, {Scales was